塞萨尔·弗朗克《前奏曲、圣咏与赋格》的分析与研究.pdfVIP

西安音乐学院硕士论文 摘要 摘 要 塞萨尔·奥古斯特·弗朗克（Cesare-August ·Franck 1822-1890）是19 世纪下半 叶法国，集管风琴家、作曲家、音乐教育家为一身的音乐家，被尊称为“法国近代音乐 之父”，他一生致力于振兴法国艺术，为促进法国音乐事业发展做出了巨大贡献，是“法 国民族协会”的奠基人，在法国音乐史上是一位承前启后的重要人物。他的音乐创作涉 猎室内乐、管风琴、钢琴作品、清唱剧、歌剧等等，以他独特的音乐创作风格和创作手 法，表达他虔诚真挚的宗教情怀和丰富的内心世界。 《前奏曲、圣咏与赋格》作为弗朗克晚期重要且具有代表性的钢琴作品，是集古典 主义形式，浪漫主义情怀与宗教情感的追求为一体的作品。本文将以他所处的时代及人 生经历为基础，从他的宗教情感追求出发，把握作品风格，进行作品分析。通过自身的 演奏实践和对音响的收集，做出全面的演奏阐释。并从演奏者的角度，对弗朗克的赋格 曲与巴赫的赋格曲在音乐风格上进行了区分。 关键词 弗朗克；《前奏曲、圣咏与赋格》；演奏阐释 I 万方数据 西安音乐学院硕士论文 Abstract Abstract Cesare-August ﹒Franck (1822-1890) was an organist, composer and music educator in the latter half of the 19th century. He was called as “Father of Modern Music ”in France and devoted himself to the revitalization of French art as well as the great contribution of promoting the development of music career in France. He was the founder of The French National Association. Furthermore, he was a well-known figure throughout music history in France. During his whole life, his major works involved hunting chamber music, organ, piano works, oratorio, opera etc. He expressed his devout and sincere religious sentiment and affluent inner world by his unique music style. “Prelude, Choral and Fugue ” , as a key and typical piano works in his late period, combined classic form, romantic emotion and pursuit of religious affection together. Based on his era and his own life experience, this paper follows Franck’s style and analyzes h