解读王广义中国式波普艺术.pdfVIP

Abstract Pop art first appeared in the 1950s in the UK, but the peak of its developm ent in the mid- 1950s, but it is a str ong business atmosphere in the United States , is one of the most influential artistic movements of the 20th century . "Father of Pop Art " Br itish artist Hamilton , the first piece of a collage of photos from the Pop Art works - "We live today why it is so dif ferent , so glam orous ," the them e to th e popular culture , as readymades means of expression , and led the creation of a new artistic trend , wh ich now use the finished ef fect on Ch ina 's most important contem porary art of China ' s " Pop Art " form ed in the early 1990s , is on the rise in the 1950s W est " Pop Art " creative imitation. As one of the early e xperimenters Wang Guangyi Chinese pop art , which also becam e the first po litical pop sin ce the real world of m odern Chinese art movement Wang Guangyi ' s paintings experien ced different periods of transition after the early 1990s into the "big criticism "in the experimental stage . This approach has the empirical critique of power throughout the entire creative Wang Guangyi in th e 1990s , especially in the " Great Criticism " , the ar tist directly to Chinese "Cultur al Revolution " in the political posters and W estern cons umer advertising , these two com pletely different nature the juxtaposition of im ages on the screen , by way of clever language processing , to achieve a certain sarcasm and digestion purposes. This paper analyzes the background of W ang Guangyi 's pop art form language of symbols , as well as in-depth analysis of the article as a starting point the work of Wang Guangyi 's " Politic