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目 录
摘要 …………………………………………………………………………1页
Abstract ……………………………………………………………………2页
一、影片的叙述形式和结构特色……………………………………………3页
1、影片第一阶段的叙述形式和结构特色 ……………………………4页
2、影片第二阶段的叙述形式和结构特色 ……………………………4页
二、人物形象塑造的艺术特色………………………………………………5页
1、程蝶衣 ………………………………………………………………5页
2、段晓楼 ………………………………………………………………5页
3、菊仙 …………………………………………………………………5页
三、情节构思和矛盾冲突语言的运用和特征Abstract
Directed by Chen Kaige's "Farewell My Concubine" is a tragic emotional film, which described with full of passion a story continuing half a century that two men and a woman’s emotional disputes, homosexual and heterosexual conflict, and tensionally and highly demonstrated people’s multi-faceted richness during the role of dislocation and at the disaster period. Tablets touch Beijing Opera Art with Chinese cultural heritage and the most profound artists’ life. It is not only with considers about human nature and statements of people’s survival status, but also through several decades of current situation, shows transmission of a philosophy consider about traditional Chinese culture. The first phase of the film abandons traditional people Narrative Writing, which highlights shapes of symbols and the audio-visual features, weakening the narrative, and builds the complex ideographic movie world. The second phase returns the narrative and character body, attached to the narration of the story with life cultural heritage and the real shape of the complex characters, which shows a strong conflict story and the fate of many characters. So the film not only has the commercial element, but also contains deep cultural connotation. More importantly, compared with the past Chen Kaige’ works played down the circumstances of diluting the plot and highlighting the image philosophy,such as "Yellow Earth", "child king" and so on, "Farewell My Concubine" is not only a well-deserved return to the traditional, but it is also a leap for the tradition.
Keywords: drama, sex, love, hate, fate
电影《霸王别姬》讲述了几个具有悲剧命运的人在一起演绎的悲剧却现实的故事,导演将几个人的悲欢故事揉合了十九世纪半世纪
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